
What do Coronation Street and University Challenge have in common? Both were filmed at the legendary Granada Studios, of course!
Our guest authors include researchers and students working with our collection, volunteers, friends of the museum, and representatives of other museums, charities and organisations we work with.
What do Coronation Street and University Challenge have in common? Both were filmed at the legendary Granada Studios, of course!
It’s the 57th anniversary of the launch of BBC Two. Antonia Lenon recaps the story of how the channel was introduced to TV audiences.
This week marks the 109th anniversary of the sinking of the Titanic. Ashleigh Green takes a look at some of the ways the historic disaster has been immortalised on film.
What is TikTok, how historically significant is the popular app, and—most importantly—should museums be collecting TikToks? Emily Coulthard investigates.
Photographer Jude Palmer discusses the stories behind the images in our new online exhibition, which capture engineers’ responses to Covid-19.
Laurence Cliffe writes about how the design of analogue music equipment influenced the online interactive experiments in our Sonic Futures project.
Caro C writes about the development of a new online exhibit, Photophonic, and how the BBC Radiophonic Workshop provided inspiration.
Following our special screening of Black Panther as part of Bradford Science Festival, Poppy-Jayne Morgan writes about how engineering is portrayed in the film, and what we can learn from it.
Actress and inventor Hedy Lamarr and oncologist Diana Anderson may seem an unlikely pairing, but these two STEM pioneers have a surprising amount in common.
Inspired by our Widescreen Weekend screening of Cinerama Holiday, Laura Holsey discusses new developments in virtual reality cinema—and whether the trend will help keep theatres relevant.
Lucy Rose Cunningham writes about her experience of working on the Sound Postcards project.
When programming for our film festival Widescreen Weekend, finding prints and rights is often a crucial step in bringing a programme of classic, cult and sometimes rare film to audiences.