What do Star Wars, Kung Fu Panda and Red Dead Redemption have in common? The answer may sound familiar to you…
We worked with Why Don’t We to produce a new exhibition called My Museum and Me. Sarah explains how it all came together—even when lockdown got in the way!
Iva Dobreva takes a look at some examples of the ‘spirit photographs’ taken by William Hope in the early 20th century, and explores what they can tell us about the practice and meaning of spiritualism.
Bradford Museums and Galleries’ John Ashton worked with us to produce a new exhibition about the Belle Vue Studio—one of the best photography stories Bradford has to offer.
Lynn Wray, Research Fellow at the National Science and Media Museum, introduces a new research initiative, ‘Communities and Crowds’.
Bradford has been at the heart of the UK’s amateur photography scene since the 1860s. Kate Burnett, Interpretation Developer, writes about the city’s photography clubs and some of their alumni.
Photographer Tim Smith writes about the story behind the images in his exhibition River of Tea, which explores the links between Bradford and the Sylhet District of Bangladesh created by the early tea trade.
Nigel Hazell LRPS CPAGB, Wakefield Camera Club member and album art enthusiast, shares his infrared photography project, Into the Red.
A new display pays tribute to some pioneering figures from the early days of cinema. Find out more about these film-makers and discover how the display came to life.
Whether your heart goes boom bang-a-bang at the thought of 65 glorious competitions or it’s your own personal Waterloo, here’s a look some of the broadcasting history highlights of Eurovision on its anniversary.
Discover how exhibitions are developed and installed through a case study, featuring the Daylight Studio in the Kodak Gallery.
As we prepare to reopen our cinemas to the public, volunteer blogger James examines the iconic work of the late film editor Sally Menke.