Sound artists Vicky Clarke and David Birchall, aka Noise Orchestra, take you behind the scenes of the Bradford-inspired installation they created for Supersenses.
One of the first collections we have been working on in our Archive Management Project is that of British animator Run Wrake (1965–2012).
Hit It! is an unusual (and often amusing) installation that captures candid portraits of people in motion.
Aardman Animations and plasticine go together like Wallace and Gromit—but the famous studio is increasingly making creative use of CGI, too.
Artists-in-residence Martha Jurksaitis and Christian Hardy give us a taster of their Light Fantastic exhibit.
Behind the scenes of artists-in-residence Martha Jurksaitis and Christian Hardy’s research trip to Iceland.
We commissioned Liz West to create a brand new piece for our Light Fantastic exhibition. As she was preparing the immersive experience of light and infinity mirrors, we managed to grab a quick 5 minutes with Liz to chat about her practice.
Musician Jono Podmore writes on scoring early British science films for a world premiere at Bradford International Film Festival.
Ahead of the world premiere of Hell’s Hinges on 3 April, Neil Brand tells us about performing with the Dodge Brothers, and his love for the sound of cinema.
Phil Boot, collection manager for the Ray Harryhausen Project, explores why Medusa is one of the most recognisable characters in model animation cinema history.
Press officer Emily Philippou reports on the launch of our Moving Stories exhibition, including some very special guests.
Kieron Casey learns about one of the pioneers of early cinema, George Albert Smith, and has a humbling experience in our archives.