Kieron Casey learns about one of the pioneers of early cinema, George Albert Smith, and has a humbling experience in our archives.
Robbie Cooper’s Immersion project captures images of people as they become immersed in different types of media—and now you can get involved.
Our Photography Curator Colin Harding looks back at his time spent with legendary photographer Don McCullin.
The Life Online launch is now just over two weeks away, and the team working on the [open source] exhibition are busy installing four brand new artworks.
Erin Newell and Phil Bird’s artwork 1 and another celebrates the web’s open source spirit of sharing and collaboration.
Thomson & Craighead focus on the threat to net neutrality with their piece Live Portrait of Tim Berners-Lee (an early warning system).
What do you get if you mix the talent of a world-class photographer with the support of two national institutions and a successful fellowship programme? In this instance, our future exhibition Outposts: Donovan Wylie.
Simon Roberts, whose We English exhibition is on display until 5 September 2010, returned to the museum yesterday to sit in conversation with Greg Hobson, curator of photographs.
Robbie Cooper’s work examines the effects of increasing exposure to media, particularly online. We look at some of the issues explored in his series Immersion and Alter Ego.
Photographer Simon Roberts visited Bradford to finish the photographic series created for his exhibition We English. We joined him on his search for the perfect shot.
During the past week, photographer and video artist Robbie Cooper has been filming museum visitors in preparation for his upcoming exhibition.
Last month, three successful live performances of Animal Farm took place against the backdrop of our Animalism exhibition.