What is TikTok, how historically significant is the popular app, and—most importantly—should museums be collecting TikToks? Emily Coulthard investigates.
With Widescreen Weekend over for another year, Laura goes behind the scenes with the festival team to find out how it’s all put together.
Hit It! is an unusual (and often amusing) installation that captures candid portraits of people in motion.
Martin Parr and Susie Parr discuss controversy, their careers, social media’s impact on photography and Tony Ray-Jones’s influence.
Ahead of the world premiere of Hell’s Hinges on 3 April, Neil Brand tells us about performing with the Dodge Brothers, and his love for the sound of cinema.
When I arrived at the museum and met a couple who had driven up specially from Nottingham, anxiously waiting for our star to arrive, I knew it was going to be a good day.
If you missed the world premiere of award-winning documentary Ecstasy of Order, but fancy hearing what director Adam Cornelius had to say when he spoke to BAF live via Skype, then you’re in luck—watch his talk here.
Ahead of Neil Thompson’s visit to the museum, we caught up over email to find out a little more about what makes him tick.
This year at BAF Game we’re lucky to be joined by Christine Phelan, character animator at the influential Valve Corporation. Christine was kind enough to answer a few of our questions about her work.
Ray Winstone spoke to Mark Kermode about his early acting days, why he prefers the TV version of Scum, and his thoughts on Mary Whitehouse.
How do you capture something as formless as the internet in a museum gallery? Anna Ward investigates, with some insight into how we interviewed email pioneer Ray Tomlinson from across the Atlantic.
The second of two recent ‘Breakfast with the Artists’ events, on 3 October 2011, saw Greg Hobson in conversation with photographer Donovan Wylie.