Curator Toni Booth delves into our archives to examine early film and television of one of Britain’s most iconic sporting events: the Oxford/Cambridge Boat Race.
Emily Rees discusses how private archives, like the C.O. Stanley Pye Collection, can offer invaluable insights into the history of media in Britain.
Iain Baird looks back at the launch of BBC2 50 years ago, and explains how Play School accidentally became the first succesfully broadcast show on the new channel.
Iain Baird reveals the technology behind our latest television collection acquisition, and explains why the Scophony television scanner is not to be scoffed at.
Iain Logie Baird takes a look at some of the children’s television puppets we’ve acquired as part of the BBC Collection—from Bill and Ben to The Fimbles.
As TV Licensing announces that there are now fewer than 12,000 black and white TV licensees remaining in Britain, Iain Baird looks back at the decline of black and white.
In 1975, the idea of video recording at home was unheard of. But a major development in TV’s history was just around the corner with the advent of Betamax.
Iain Logie Baird investigates the history of the most modern and largest TV factory in all of Europe—just down the road from the museum here in Bradford.
If the latest influx of reality TV isn’t your bag, come in from the cold and work your way through 2,500 TV and film titles from the BFI National Archive.
Curator Iain Logie Baird looks back at this forgotten gem of a short story and considers the Bradford-born author’s many contributions to television.
Iain Logie Baird has been researching the first time that TV was officially received outside London. What a coincidence that it was right here in Bradford.
Iain Logie Baird looks through our collection to find out what it can tell us about past predictions of the future of television, and what those predictions might mean now.