It’s been almost a year of ‘what shall we watch’ so this week, we’ve got you covered. In this post, Alice recommends some must-watch TV shows with LGBTQ+ characters or storylines.
Doctor Who’s Daleks are among the most iconic TV villains of all time. Volunteer blogger Ashleigh takes a look at how their unusual design makes them so memorable.
In recent years, subscription video on demand services—such as Netflix—have seen a huge rise in popularity. Sarah takes a look at some of the latest facts and figures.
To understand how influencers became so ubiquitous, we must take a trip back in time—to the 1970s, when TV chef Delia Smith became a phenomenon.
The 1948 Olympic Games cemented television as the ultimate immersive experience of the age.
How has TV coverage changed as the World Cup has grown? We take a look at some of the facts and figures.
Curator Toni Booth digs into our archives to examine early film and television of one of Britain’s most iconic sporting events: the Oxford/Cambridge Boat Race.
Emily Rees discusses how private archives, like the C.O. Stanley Pye Collection, can offer invaluable insights into the history of media in Britain.
Iain Baird looks back at the launch of BBC2 50 years ago, and explains how Play School accidentally became the first succesfully broadcast show on the new channel.
Iain Baird reveals the technology behind our latest television collection acquisition, and explains why the Scophony television scanner is not to be scoffed at.
Iain Logie Baird takes a look at some of the children’s television puppets we’ve acquired as part of the BBC Collection—from Bill and Ben to the Fimbles.
As TV Licensing announces that there are now fewer than 12,000 black and white TV licensees remaining in Britain, Iain Baird looks back at the decline of black and white.