Animation student Zara Hussain discovers a new passion for motion capture at Karl Abson’s workshop.
Our guest authors include researchers and students working with our collection, volunteers, friends of the museum, and representatives of other museums, charities and organisations we work with.
Our Youth Engagement Officer, Dave, has been working with a group of local teenagers on a project for our Life Online [open source] exhibition. Here he shares a bit about what they’ve been up to.
Curator of Photography Greg Hobson reviews Watabe Yukichi’s intriguing project A Criminal Investigation.
Greg Hobson takes a look at Taryn Simon’s new photography book, which accompanies an exhibition at the Tate Modern.
Here’s a sneak preview of our latest exhibition, Daniel Meadows: Early Photographic Works, opening 30 September 2011.
Images from our Daniel Staincliffe display, Fauna Automata: British Wild Boar, are being installed today.
Ruth Haycock talks about her experience filming with photographer Daniel Meadows in preparation for our exhibition of his work.
What do you get if you mix the talent of a world-class photographer with the support of two national institutions and a successful fellowship programme? In this instance, our future exhibition Outposts: Donovan Wylie.
Magnum photographer Donovan Wylie recently visited us to work on the final stages of his premiere exhibition Outposts.
Guest blogger Mike McKenny reviews Mohamed Al-Daradji’s Son of Babylon and gives an overview of LIFF’s Q&A session with the director.
Mike McKenny takes a deep dive into the world of the Ford brothers’ zombie flick The Dead, with a review of the movie and an interview with the directors and star Rob Freeman.
The New Chrysotype Process is so named in honour of Sir John Herschel who, in his classic paper of 1842 (1), first coined the term chrysotype to describe the photochemical production of an image in colloidal gold metal.