Continuing his film odyssey, Jamie watches football, fantasy, and avant-garde films… and a drunk man sings ‘A Whole New World’.
Thursday 17 March 2011 was the very first global Picture a Museum Day, aiming to give people behind-the-scenes access to the world’s museums and galleries through Flickr and Twitter.
Jamie kicks off 2011’s film festival with a Charlie Chaplin/Claire Bloom two-hander, an introduction to Amos Vogel and the Cinema 16 society, and a duo of documentaries.
Festival Producer Ben Eagle presents some snaps from the launch of our 2011 film festival.
As International Consultant for BIFF, Neil is one of the people responsible for selecting the films screened at our festival. Greg Spencer caught up with him about what it means to be a festival programmer.
Ruth and Rebecca of our Exhibitions team visited the André Kertész exhibition at the Jeu de Paume last month—here’s Ruth’s lowdown on what they saw and learned.
The next exhibition to be displayed in Gallery Two is David Spero: Churches, which will be open from 15 April to 4 September 2011.
Assistant Curator of Television Claire Hampton has been busy preparing our TV galleries for half term with a new addition to the display cabinets…
Invented by Sir John Herschel in 1841, this simple process produces a continuous tone image of Prussian Blue using a sensitizing solution of ferric ammonium citrate and potassium ferricyanide.
Bromoil and Transfer was used by many photographers during the first half of the 20th century and gained great popularity.
Festival Producer Ben Eagle recounts his experiences of filming with Imelda Staunton, Jim Carter and John Hurt.
One of the most exciting sources of information for family historians are collections of family photographs—lovingly preserved in leather-bound albums or stashed in biscuit tins or shoeboxes.