Last month, three successful live performances of Animal Farm took place against the backdrop of our Animalism exhibition.
Mark goes behind the scenes as our exhibitions Don McCullin: In England and Animalism are dismantled.
William Henry Fox Talbot’s The Pencil of Nature was a photographic milestone, and we’re taking steps to republish this seminal book.
Around 150 people descended on the museum to talk, teach and learn about all things photography at the sold-out Photocamp event.
If you’ve ever wanted to sneak into our offices and spy on how we plan, develop and build one of our exhibitions, it’s your lucky day…
We’ve been members of Flickr Commons for one year today—here’s a look back at some of our most-loved images.
Last week, Curator of Television Iain Baird was filmed in our galleries for a BBC Breakfast report about the final days of mass television manufacture in the UK.
Meet Julien Faure-Conorton, whose research in our archives uncovered a previously unseen Robert Demachy photograph.
Once a year, our Reminiscence Sessions group goes on a trip to explore photographic collections beyond the museum. This year, the venue was the beautiful Harewood House.
Lars von Trier’s controversial Antichrist has divided audiences. Tom Vincent finds out what Bradford cinemagoers made of the film.
Ben Eagle gives us a rehearsal report as Paper Zoo Theatre Company prepares to present George Orwell’s Animal Farm in Gallery One as part of our Animalism exhibition.
Daimler AG have commissioned us to digitise a huge archive of car and motor racing photographs taken by Zoltán Glass.