Fiona Philip and Daniel Mutibwa of the University of Leeds write about their project to unlock the potential of our Daily Herald Archive.
Our guest authors include researchers and students working with our collection, volunteers, friends of the museum, and representatives of other museums, charities and organisations we work with.
Jamie Sefton looks ahead to the some of the gaming highlights for BAF 2014, including a very special talk from Colin Graham, Animation Director of bestselling action-adventure game Watch_Dogs.
Jack Hynes, Camera Assistant for Ammonite Films, explains how big a camera you’d need to film the smallest of insects.
Head of the museum at the time of the very first BIFF, Amanda Nevill recounts the early years of the festival and what role it plays in the industry today.
As he recalls his visit in 2010, actor John Hurt reflects on Bradford’s cinematic heritage and the British voice in the film industry.
A visitor to the exhibition spotted herself in a Tony Ray-Jones photo. What will happen when Martin Parr’s Calder Valley work comes back to Yorkshire?
Image manipulation has been around longer than you might think—the compositing and shading techniques employed here were the precursors of Photoshop.
The 2014 BIFF identity has been met with heaps of enthusiasm, so we asked David Doran to write a few words about his experience working on the project.
Magnum Photographer David Hurn writes about his recent visit to our archives.
Former festival director Tony Earnshaw looks back at some of his fondest BIFF memories, including appearances by Jean Simmons and Michael Parkinson.
Associate Curator Ruth Kitchin picks some photographic highlights from John Thomson’s 19th-century album Foochow and the River Min.
We’ll be making hundreds of images from the world’s largest public collection of Cameron portraits available online as part of a year-long digitisation project.