Quick Menu

How big is the camera you’d need to film an ant?

By |

|

Jack Hynes is a Camera Assistant for Ammonite Films. He spends most of his time building camera rigs, testing equipment, and working with some rather unpredictable stars. Here he explains how Ammonite get up close to wildlife with some very special equipment currently on display in our Nature, Camera, Action! exhibition.


Frankencam in action

Frankencam in action (courtesy of Ammonite Films)

Frankencam, or “Frank” as he is affectionately known, was created to enable us to film small creatures up close with the ability to move the camera effortlessly around without disturbing their natural behaviour. This meant that we could film life in ways never before seen, following insects a hair’s breadth from the ground or manoeuvring the camera in and around the undergrowth with highly precise and vibration-free movement, all the while preserving the very environment we were trying to film.

The name came about because he was an assemblage of cameras held together in a crude fashion with nuts and bolts, kind of like Frankenstein’s monster. His high-definition camera can film from the ground up and makes ants look like the creatures from Them! and woodlice into giant trundling trains – something children loved in our award-winning series Smalltalk Diaries.

A snail gets its close-up (courtesy of Ammonite Films)

The long cabling –  currently tied up very neatly in the Nature, Camera, Action! exhibition – lets us take the control box and video recording unit away from the camera and rig so that we don’t effect the behaviour of the animals and biting insects become (slightly) less of a problem.

When we brought twenty cases of equipment with us to film ants in Arizona, a state that has average summer temperatures of 40+ degrees Celsius, some of the crew questioned having to carry the hundreds of kilos of kit that were needed to operate Frank.


Upon arrival those not sure about the value of Frank were certainly convinced of the need for a camera that allowed us to be well away from our ant subjects. The ants of the day were harvester ants (Pogonomyrmex barbartus) who have a vicious sting containing the most toxic insect venom in the world. We had arrived in the middle of their nuptial flights, whereby the males and winged queens come out of the nest, fly off and mate. Unfortunately, for us, this marked a very defensive period for the worker ants and they will attack anything that moves.

Filming a mantis with a pinhole lens (courtesy of Ammonite Films)

Filming a mantis with a pinhole lens (courtesy of Ammonite Films)

The moment we got close to them the bites started. They were extremely painful—worse than the infamous bullet ants we filmed in Costa Rica— and by the time Frank was ready, some of us had more than 50 stings! Once we placed Frank by the colony, we were able to move away and watch our window into the highly complex society in which they live. Now, at a distance, the ants resumed their natural behaviour and we could observe them without interference.

Frank is more than just a sum of his parts. Not only a solution to the technical problems of filming a microcosm, he allows us to explore a world that has never been seen before. Although Frank was designed to get us away from nasty stinging insects, in fact he gave us an intimacy with their realm that enabled us to discover that the ants weren’t nearly as nasty as people had imagined.


Frankencam can be seen in Nature, Camera, Action! at the National Media Museum until 12 October.

Leave a Comment

Your email address will not be published.

Part of the science museum group