Photographer Jude Palmer discusses the stories behind the images in our new online exhibition, which capture engineers’ responses to Covid-19.
Through our exhibitions and galleries, learning programme and festivals, we aim to inspire the scientists and engineers of the future to see more, hear more, think more and do more.
Laurence Cliffe writes about how the design of analogue music equipment influenced the online interactive experiments in our Sonic Futures project.
Caro C writes about the development of a new online exhibit, Photophonic, and how the BBC Radiophonic Workshop provided inspiration.
Andrew Clarke, STEM Ambassador Hub Manager for West Yorkshire, writes about the work STEM Ambassadors do, as part of Bradford Science Festival and beyond.
Following our special screening of Black Panther as part of Bradford Science Festival, Poppy-Jayne Morgan writes about how engineering is portrayed in the film, and what we can learn from it.
Actress and inventor Hedy Lamarr and oncologist Diana Anderson may seem an unlikely pairing, but these two STEM pioneers have a surprising amount in common.
Inspired by our Widescreen Weekend screening of Cinerama Holiday, Laura Holsey discusses new developments in virtual reality cinema—and whether the trend will help keep theatres relevant.
Lucy Rose Cunningham writes about her experience of working on the Sound Postcards project.
Shi Blank explains the difference between reverb and echo, and how the latter is used in trip hop music to help create a hypnotic effect.
An exploration of the links between pop music, art and musician Nina Richards’ Echo Machine project, which is now available to everyone as an interactive online experiment.
What do Queen, Depeche Mode and The Police have in common with Miles Davis and the soundtrack of The Terminator? The answer is in this playlist dedicated to one of the most iconic objects in our Sound Technologies collection: the Oberheim synthesizer.
A collaborative sound map, launched during the #SonicFriday project, collects lockdown sounds from the UK and beyond and shows how people have reacted to them. And it’s still open to new contributions—read on and discover how to join in!