Head of the museum at the time of the very first BIFF, Amanda Nevill recounts the early years of the festival and what role it plays in the industry today.
We’re based in Bradford, the first ever UNESCO City of Film, so naturally we’re passionate about cinema. Cinema screenings, film festivals, and cinematography in our collection: read more about everything to do with film at the museum.
As he recalls his visit in 2010, actor John Hurt reflects on Bradford’s cinematic heritage and the British voice in the film industry.
Ahead of the world premiere of Hell’s Hinges on 3 April, Neil Brand tells us about performing with the Dodge Brothers, and his love for the sound of cinema.
The 2014 BIFF identity has been met with heaps of enthusiasm, so we asked David Doran to write a few words about his experience working on the project.
Former festival director Tony Earnshaw looks back at some of his fondest BIFF memories, including appearances by Jean Simmons and Michael Parkinson.
As is tradition, our film-loving staff—and a few friends—were asked to choose five favourite new films that they saw in a public space in 2013. Did we miss any gems?
Filmed in 1915, Charles Urban’s Britain Prepared used military footage to promote British strength and determination in the war effort during the First World War.
If the latest influx of reality TV isn’t your bag, come in from the cold and work your way through 2,500 TV and film titles from the BFI National Archive.
Gabe Klinger’s feature-length documentary about the friendship between two acclaimed directors is coming to Bradford.
Writer and children’s literature expert Elly McCausland investigates how writers, producers and directors turn our favourite children’s books into films.
Louis Le Prince was the first person to create moving pictures—but he mysteriously disappeared in 1890, and his fate is still unknown.
Phil Boot, collection manager for the Ray Harryhausen Project, explores why Medusa is one of the most recognisable characters in model animation cinema history.