This week marks the 109th anniversary of the sinking of the Titanic. Ashleigh Green takes a look at some of the ways the historic disaster has been immortalised on film.
We’re based in Bradford, the first ever UNESCO City of Film, so naturally we’re passionate about cinema. Cinema screenings, film festivals, and cinematography in our collection: read more about everything to do with film at the museum.
We’re all familiar with the idea of film directors making cameos in their work. But this practice began earlier than you might think—with some of the very first pioneers of cinema.
The extension of our exhibition about Robert Paul allowed us to investigate an interesting object rediscovered in the museum’s collection.
Inspired by our Widescreen Weekend screening of Cinerama Holiday, Laura Holsey discusses new developments in virtual reality cinema—and whether the trend will help keep theatres relevant.
When programming for our film festival Widescreen Weekend, finding prints and rights is often a crucial step in bringing a programme of classic, cult and sometimes rare film to audiences.
Film historian and author Brian Hannan takes a look at some of the most significant women in Hollywood’s history, and how female film editors rose to prominence from 1913 onwards.
Rebecca Hill, Festivals and Cinema Events Manager here at the museum, writes about her love for a very special cinema: Pictureville.
Throughout the history of cinematography, the word ‘bioscope’ has had many meanings. In this post, our Associate Curator of Film looks at some examples from our collection and beyond.
Curator Toni Booth writes about her memories of the BBC series Moviedrome, fronted by film-maker Alex Cox, and looks at what makes a ‘cult film’.
Our doors may be closed (for now), but our amazing collection is always open for all. Here are some of the ways you can explore the museum from the comfort of your home.
Hot on the heels of our A Shaun the Sheep Movie: Farmageddon half term events, Claire discovers the origins of the film’s intriguing villain, Agent Red.
This year’s celebration of the most sensual cinema offered more immersive experiences to more people than ever before, reports Roger Highfield, Science Director.