Our collection

Amanda Lynsdale discusses some of what she discovered while cataloguing the extensive BBC Collection, acquired in 2012.

Fiona Philip and Daniel Mutibwa of the University of Leeds write about their project to unlock the potential of our Daily Herald Archive.

Toni Booth takes a first look at the impressive archive of the master of the animation loop, Run Wrake.

The Prime Minister defiant, cigar clenched between his teeth, fingers raised in a victory salute: this iconic image is what many people call to mind when they hear the name ‘Winston Churchill’.

Selections from our photography collection illustrate the public spectacle (and some behind-the-scenes details) of the 1948 Olympics.

On 4 August 1914 the largest global conflict the world had witnessed began. We look at the role photography played in representing the ‘War to End All Wars’.

From x-rays to pagodas—Scottish photography isn’t (exclusively) tartan or covered in heather.

Surely Scottish photography would be photographs by Scots, of Scots, in Scotland, wouldn’t it? But of course nothing is ever straightforward, so why should Scottish photography be any different?

Iain Baird looks back at the launch of BBC2 50 years ago, and explains how Play School accidentally became the first successfully broadcast show on the new channel.

Talbot’s ‘picture book’ is a manifesto for photography, a polemic, an advertisement, a bid for posterity, a chronicle of the past and a vision of the future.

A visitor to the exhibition spotted herself in a Tony Ray-Jones photo. What will happen when Martin Parr’s Calder Valley work comes back to Yorkshire?

Image manipulation has been around longer than you might think—the compositing and shading techniques employed here were the precursors of Photoshop.