Once a year, our Reminiscence Sessions group goes on a trip to explore photographic collections beyond the museum. This year, the venue was the beautiful Harewood House.
Lars von Trier’s controversial Antichrist has divided audiences. Tom Vincent finds out what Bradford cinemagoers made of the film.
Ben Eagle gives us a rehearsal report as Paper Zoo Theatre Company prepares to present George Orwell’s Animal Farm in Gallery One as part of our Animalism exhibition.
Daimler AG have commissioned us to digitise a huge archive of car and motor racing photographs taken by Zoltán Glass.
The museum could be coming to a big screen near you very soon—this week the director and producer of Canadian documentary Sacred Cinema paid us a visit.
Back in Bradford after travelling around the world on loan, this 150-year-old daguerreotype of the Moon is just one of our collection’s hidden treasures.
Here at the museum, there’s an army of unsung helpers who volunteer their services for free—and whose work in our Collections & Research Centre, and elsewhere, keeps the museum running efficiently.
We’ve added new photographs to our Flickr Commons sets, including babies and animals—some cute and some distinctly not.
Roving festival programmer Neil Young brings us his latest report, from the 63rd Edinburgh International Film Festival.
The museum has been running a series of creative writing courses, led by BBC writer Ben Haller. Mark takes a closer look.
After 3 days, 31 films, 6 TV shows, 2 zombie film costumes and 1 glowing review in the Guardian, Fantastic Films Weekend 2009 drew to a close on Sunday night.
Mark Green explores some of the many items in our collection stores, from TV props to cinematography equipment.