Did you know that images from TV were first recorded to disc in 1927? Read on for a short history of the different ways in which television has been recorded, from mechanical to digital.
We’re home to over three million items of historical and cultural significance. Our world-class collection encompasses iconic objects and remarkable archives in the areas of photography, cinematography, television, sound and new media. Peek behind the scenes and discover some hidden treasures…
Toni Booth reveals objects from our collection that shed light on the much-debated story of cinema pioneer William Friese-Greene.
How did we get from the era of silent films to the stereo surround sound of today’s cinemas? Ewan Grainger takes a whistle-stop tour of the history of sound in film.
At Something of a Slant: A poem and two short stories in response to objects in the Science Museum Group Collection
DARE Art Prize winner Redell Olsen writes about her work with our collection.
We worked with Why Don’t We to produce a new exhibition called My Museum and Me. Sarah explains how it all came together—even when lockdown got in the way!
Iva Dobreva takes a look at some examples of the ‘spirit photographs’ taken by William Hope in the early 20th century, and explores what they can tell us about the practice and meaning of spiritualism.
Lynn Wray, Research Fellow at the National Science and Media Museum, introduces a new research initiative, ‘Communities and Crowds’.
What do Coronation Street and University Challenge have in common? Both were filmed at the legendary Granada Studios, of course!
It’s no joke—1 April is the anniversary of the BBC’s Radiophonic Workshop, so we’re looking into its early history through some of the objects in the BBC Heritage Collection. Get ready for a (swannee) whistle-stop tour…
The extension of our exhibition about Robert Paul allowed us to investigate an interesting object rediscovered in the museum’s collection.
Take a trip back in time with our collection and discover some vintage Christmas advertisements for Kodak cameras.
In this post, our Head Curator Geoff Belknap looks at how we approach the challenge of collecting photography, and how we make decisions about what to collect (and what not to collect).