How do museums share sound technologies with their visitors? Edward Wilson-Stephens talks about creating a unique DJ set.
Annie introduces our latest acquisition: the Midas XL3 mixing console, which has toured the UK with some of the world’s biggest bands and artists.
Placement student Elaine Rhodes, from the University of York, writes about her research into Bradford pirate radio.
To celebrate Record Store Day, we’ve picked our top 5 record-related favourites from our collection—though they might not all be quite what you’d expect!
Sound artists Vicky Clarke and David Birchall, aka Noise Orchestra, take you behind the scenes of the Bradford-inspired installation they created for Supersenses.
Musician Jono Podmore writes on scoring early British science films for a world premiere at Bradford International Film Festival.
In 1931 a revolutionary type of microphone housed in an unusual sideways teardrop-shaped capsule was introduced by the BBC. Its oddly-shaped housing earned it the nickname ‘the bomb’.
Curator Iain Logie Baird deciphers the profound cultural meanings surrounding the Nightingale phenomenon.